Hipsters Vs. Rednecks – Out now!

The apocalypse has arrived. Hipsters Vs. Rednecks releases today in print and digital formats.

HvR_Cover_web_newIn a post-apocalyptic world, two factions have risen to power—the hipsters, who control New Brooklyn, the last known city, and the rednecks, who will do anything to get inside. When an outsider finds herself caught in the middle of an ongoing war, she must take a stand if she hopes to make it out of New Brooklyn alive.

If you’ve ever wanted to see Hipsters and Rednecks battle it out in comic book form, then do I have a treat for you!

Earlier this year artist Tyler Kelting and I hunkered down and crafted a 24-page comedy one-shot exploring just that idea!

If you read and enjoyed Unit 44, then this irreverent book will provide you with another fix of zany comedy. Grab a free sneak peek of the series and order in your favorite format by visiting www.hipstersvsrednecks.com!

While the comic is currently available exclusively through our site, it has been submitted to additional digital retailers and we’ll announce those platforms as they become available.

I’m happy to report that the comic has bet met by solid reception from reviewers so far! Take a look at what people are saying (click site names for the full review):

“If the idea behind this one shot comic sounds even remotely interesting to you, then you should be thinking about reading this comic; it’s a fun look at what could be a disastrous future should these two factions remain in order to rebuild the human race.”GraphicPolicy.com

“Hipsters vs Rednecks is a fun and funny story that sets up some really interesting things. We have The Walking Dead and some other group survival/post-apocalyptic stories out there, but this is the match-up I never knew I wanted.”ScreenGonzo.com

What could possibly happen next in a post-apocalyptic world? If you want to find out, pick up the comic in print or digital and show us you want to know!

Hipsters vs. Rednecks Update #3

Back at the beginning of 2015 I embarked on the silliest of ideas.

After Unit 44 showed me how much fun writing humor was, and how naturally I felt it came to me in comic book form, I decided to up the ante on myself. Sure, I had penned a silly and irreverent four-issue sci-fi/comedy miniseries, but I wondered how could I take that to the next level.

HvR_Cover_web_newI didn’t have to think very long.

In a stroke of genius (or was it madness)… I thought, what if the world ended leaving just two of the planets’ silliest human stereotypes…and what if they had to fight each other?

It was then that I knew I would be writing Hipsters vs. Rednecks.

The story came rather quickly… what would happen if an outsider stumbled into the middle of a war… who would they ally with and how would they survive in that setting? This tale would not only allow me to explore a ton of silly jokes, but be a fun experiment in one-and-done storytelling.

In October 2014 I penned the script and at the end of the year went hunting for the perfect artist to co-create the world I had started to envision. After casually dropping the idea for the comic out on social media I got several responses, but there was one artist who caught my eye…

Tyler Kelting, writer and artist of the (fantastic) indie book My Friend Death offered to take a look at the script to see if it was up his alley. Tyler’s art has this amazing dark, grimy and lived-in feeling that I thought would be ideal for the story. The dude uses color in ways I’ve never seen colors used in a comic book. Needless to say, I was holding my breath that he’d dig it. Thankfully, he did and after a bit of discussion he set to work in early 2015.

Here we are just months later, sitting on top of a complete 24-page one-shot comic book that I couldn’t be more proud of.

HvR_prev3While part of me feels like this comic book has no business existing (because it’s just that silly) the other part of me is completed inspired by the what we’ve made. As a young reader I always loved when an indie comic book would pop up in my local comic shop (The Collection Connection — hey-o!) and reel me in with it’s personality, wackiness and complete disregard for following comic book norms.

To me, Hipsters vs. Rednecks embodies that feeling. Tyler and I created the exact comic we wanted to make, making zero apologies and having a ton of fun in the process. Maybe we’ll be apologizing once it’s released… who knows.

We’ll be self-publishing the book in print and digital formats in September. Digital PDFs will first be available via Gumroad with more e-formats to follow in the near future. We’ll be dropping a pre-order link in the next few weeks!

Now, even though I’m completely into this book I can’t help but wonder if anyone will read it. With a title like Hipsters vs. Rednecks, I’m counting on curiosity alone to bring in some viewers. After all, how could there be any sort of story there? There’s only one way to find out!

While it’s all very silly, I’ve always believed that first and foremost, making comics should be fun. The fulfillment I get from collaborating with talented artists and colorists is a thrill that never gets old.

Mission accomplished.

Release date info to come soon!

2014 in review

Over my last few years in comics, I’ve really come to understand the idea of working ahead. This may come as a shock, but comic books don’t come together overnight. It takes man hours of pecking away at a keyboard for writers, many hours at the drawing board for artists, and many hours in front of Photoshop and Illustrator for colorists and letterers for even 22 meager pages to come together into a complete narrative. Even though everyone is working toward a common goal, it often takes a year (or more) from the day a project begins to when it sees the light of day (sometimes even longer if the project goes to print). What I’ve learned is that each year, you’re essentially working on what you hope and plan to see the light of day the following calendar year.

Though this year was small for me on the release side, 2014 brought several projects to the shelves that I was very proud of. Though they were completed over the course of 2013 (and some even 2012) I couldn’t be happier to watch them come to life as I worked on the comics that will ideally be thrust upon the world in 2015. (More on that later.)

Hoodwinked
Shortly after my crime-fiction miniseries Chambers (released in 2013 by Arcana Studio) was complete, artist Kristian Rossi and I started looking for something else to work on together. Indie publisher GrayHaven Comics, who has made a personal mission to promote up-and-coming creators, accepted my pitch for its The Gathering: Public Domain anthology. While I originally had dreams of writing a Zorro short, I instead went with Robin Hood and put my own twist on the classic tale by bringing the rogue into the present day of New York City, rather than keeping him in Sherwood Forest.

Because the comic would be printed in black and white, I envisioned the finished product as having a dark, gritty overtone and I pitched it to Kristian for consideration since his work on Chambers proved through and through that he was the man for the job. Thankfully, he was on board to draw the comic and we were off to the races. The final 4-page short was published in May. The 32-page anthology is still available in print for just $1.99.

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The anthology features the talents of many up-and-comers along with Ray Goldfield, Kelly Williams, Eric Grissom and Phil Sloan, all of whom I really admire. You should check this collection out. It’s probably the best anthology I read all year.

The Undoubtables
After an extended gestation period my action/heist series The Undoubtables finally hit physical and digital shelves. The series had been picked up by UK publisher Markosia Enterprises near the beginning of 2012, and co-creator/artist Emre Ozdamarlar and I worked on this book for roughly two years. Emre was in comic art school throughout the process so it was a fascinating process to watch him apply what he learned as he continued through the book and he was able to truly come into his own by the time we reached the end. The project was colored by Kefas Armando, who had colored Chambers the previous year, and Kell Smith provided us with some wonderful colors on the cover.

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Originally pitched and picked up as a miniseries, The Undoubtables read much better as a standalone piece and thus the decision was made to translate it directly to graphic novel format. It wasn’t my call, and I didn’t agree with it at first, but I actually believe it’s better for it. The 88-page adventure about career thief Spencer “Spade” Shelton and his crew robbing banks while dodging deadly mobsters and evading police was published in July and is available not only in a beautiful paperback, but also through just about every digital retailer you can name. It was my love letter to the heist genre with a crew of colorful characters overcoming impossible odds and outsmarting their enemies. The OGN can be picked up ComiXology for just $4. It’s a steal! Pun totally intended.

The series received several really great reviews across the internet and readers really seemed to enjoy how much fun this comic is. From the time the book starts it’s a wild goose chase between cops, robbers and some unpredictable mobsters who aren’t afraid to pull a trigger. I can’t thank Emre enough for the time he spent drawing and inking this book and it’s a project I’ll always look back on fondly.

In the Drink
My final physical publication of the year was a 3-page short in The Gathering: Survival anthology called In the Drink. Yet another project for indie publisher GrayHaven Comics, my pitch was accepted by the book’s editor and I turned this project around super quick with the help of the ever-talented artist Robyn Seale and it was published in September. I enjoy contributing to anthologies because it typically allows me to experiment with ideas and concepts that I may not want to dedicate an entire series to. With Hoodwinked I was able to work with a public domain character while dramatically changing the setting, and I decided that for this tale I would write a comic short that was completely silent.

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When there aren’t any words on the comic page, the artist must shoulder the load of telling the story and I think Robyn did an amazing job with translating my outline to the page. Even though this is one of the shortest comics I’ve ever written we were able to establish a beginning, middle and end and still leave the reader with an emotional gut-punch. My idea for a Survival-themed anthology was simple…what happens when two people involved in a car accident come face to face. And more importantly, what happens if that interaction takes place underwater.

At the time of this writing, I haven’t seen the finished anthology with my own eyes, but it’s available in print from GrayHaven for just $3.50 and contains nearly 40-pages of comics from upcoming creators.

Innovation
After starting my sci-fi web comic in November of 2013, I tried to keep the train rolling and since the project debuted online, myself and a rotating stable of very talented artists have delivered a new short comic each month. Though each installment is drawn by someone different, the narrative keeps going, constantly building upon itself and hopefully setting up quite a mystery for those who are actively reading it.

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This year we published 52 pages of the comic online (that’s a page a week!) with plenty more still to come. I’m thankful that the participating artists have donated their time and talents to keeping the story going and I’m keeping my fingers crossed that we can finish out the first volume in 2015. A big thanks goes out to contributors Stan ChouDamon Threet, Crisuadi Crasmaru, Jay Hernandez, Paul McCallan, Harpreet Brar and Fludi Stohr for lending their talents, along with my pals Brad Burdick and J. Jacob Barker who contributed one-shots set in the same world.

So how does 2014 stack up in my comics career since I started writing funnybooks in 2011? Let’s take a look at the numbers.

Pages written in 2011: 223 (They weren’t very good)
Pages written in 2012: 473 (These were better!)
Pages written in 2013: 267 (These were publishable!)
Pages written in 2014: 352

And how about pages published?

Pages published in 2011: Zero. Zip. Zilch. None.
Pages published in 2012: 3
Pages published in 2013: 119
Pages published in 2014: 147

What’s that? Who keeps track of stats like that? Not me…that would…uh…that would be uber dorky.

2013 in Review

I had spent the majority of 2011 and 2012 making plans. Setting goals. Crying and rocking back and forth in the shower. And this year, everything began to pay off.

In life, people always seem to come back to their childhood loves, and for me, that meant comic books. In my youth, my friends and I would dream of putting together our own comics and spend countless hours swapping issues in order to save some cash while still enjoying the many events of the Marvel and DC Universes. After my music career (if you could call mostly getting paid in beer a career) started to lose its luster, I knew that I needed somewhere new to focus my creative energies, and comics were it. I was finally going to write the comics I had always dreamed of. It would be a small success for myself and my childhood friends, whether they were aware it was happening or not.

I spent a lot of time at the keyboard writing and talking with potential artists and in 2012 wheels began to turn and ink began to hit paper. Finally, in 2013, all of those crazy ideas started becoming a reality.

You May Already be a Winner – This five-page short, graciously drawn by artist Jacob Warrenfeltz was released in The Gathering: Crime anthology by GrayHaven Comics in July. The anthology was originally slotted to run a five-page short of my character Denise who went on to star in Chambers (more on that later) but I had to pull the pages from production, but luckily editor Douglas Hahner allowed me to re-pitch a story to fill the void.

This book will always hold a special place in my heart because it was the first comic story that someone else paid to print (it’s the little victories). You can pick up a copy of the 32-page anthology here.

ChambersTradeCoverWebChambers – In September, my four-issue crime-fiction miniseries (is there a theme developing?) Chambers was released by Arcana Studio. The book was part of a digital-first initiative where the publisher would release each issue through the ComiXology platform and then ultimately collect them into a physical trade paperback. This comic has the honor of being the first book signed to Arcana by former VP of Publishing Erik Hendrix.

In a twist of fate, the original artist backed out of the project right as the contract was on the table and I had the daunting task of finding a suitable replacement. Luckily, I was working with collaborator extraordinaire Kristian Rossi on another project at the time. He was interested in taking up the reigns and submitted a test page which ended up coming out better than I ever could have imagined. Erik agreed that he’d be a good fit and contracts were signed and production began. Colors for the book were provided by Kefas Armando who gave a gritty realism to the pages.

For a first miniseries, I’m proud of how this book came out. Reviews have been positive and it will always be a fun shoot-em-up cop story that I enjoyed telling. A big thanks to Erik Hendrix for believing in the project, his wife Amanda Hendrix, for helping me edit and providing an honest and helpful voice of reason, and everyone at Arcana for promoting the project as the issues released. The physical trade will be published in March of 2014, but in the meantime, the digital collection is available on ComiXology here.

Timeless – Also in September, GrayHaven Comics hooked me up again by publishing a three-page short in the anthology The Gathering: Sci-Fi 2, a follow up to their most popular collection to date. For this time travel tale, I collaborated with artist Michael Nigro who brought amazing detail to each panel and drew many awesome historical locations. I wrote a lot of short comics over the last year but each one  presented it’s own set of difficulties, obstacles and learning opportunities. I appreciate the GrayHaven crew for all of their constant support in encouraging me to write really crazy things.

Michael has gone on to work on some really awesome wild west-inspired projects so be sure to surf over to his website to see all of the cool things that he has drawn in the past year. You can pick up the Sci-Fi 2 antho, featuring 38 pages of great stories here.

InnovationCover_smallInnovation – Back in July, I came up with this crazy idea to write an ongoing comic book series and utilize a myriad of artists to help tell the tale. Over the course of one weekend I wrote the first five scripts and began mapping out a world, characters, plot points and all sorts of other craziness. Little did I realize that artists would understand what I was doing, think it was cool and want to be part of it. Fast forward to October. I’m headed to the New York Comic Con with printed copies of the first issue of Innovation in tow. It all came together quickly and beautifully. In NYC, I even got some hang time in with one of the issue’s contributors.

In November, we took the project online as a free, albeit non-traditional webcomic and to date more than 100 pages have been written for the series with over a dozen artists signing up to help bring it to life and put their stamp on the universe. A huge thank you goes out to the original team of Ken Perry, Mike Hatfield, Damon Threet and Stan Chou who helped establish the look, feel and tone of the world and who have supplied many a great idea in the process. Reception for the book has been warm with some great reviews, but there’s so much more coming and I’ve only scratched the surface. For anyone who’s reading it and is just completely confused…that’s okay. That feeling is normal. Answers will come soon. Read the first four chapters for free at www.innovationcomic.com.

Compromised – Also in November, GrayHaven Comics continued to treat me kindly with the release of The Gathering: Spies anthology. For this three-page short I teamed up with Tomasz Witas for a dark and gritty tale of an elderly spy confronting his greatest nemesis one more time.

I want to extend an especially large thank you to Tomasz, because after having eight different artists work on the story, he’s the person who came on board and fully brought it to life. I recently got my hands on a copy of the book and I was proud to see that we were the last story featured. It’s always nice to influence how someone feels when they end a book! Grab the 36-page anthology right here.

That was it!

That was my 2013 in comics. Not bad by any stretch of the imagination and it was nice to see some projects that I’d been living with for over a year finally see the light of day and be able to share them with readers.

If you’re a numbers person (I am not), here’s how it all shook out:

Pages published in 2011: (A big, fat whopping) zero.
Pages published in 2012: 3
Pages published in 2013: 119

Now, I’m no mathematician, but this year showed at least a 9,000% increase in published work.

You may be asking yourself, after reading that extremely long block of text that came prior to this line, “What’s next, Wes?”

Awesome things.

January 2014:

Hoodwinked – GrayHaven Comics will release a four-page short that I penned for The Gathering: Public Domain anthology. The story features art by Chambers-alum, Kristian Rossi and it was great to work with such a talented fellow for the third time. The anthology is slated for January and once it’s released, I hope you’ll pick it up to see how I handle a classic public domain character that everyone will recognize.

Early 2014:

Unit 44 – I also plan to release the first issue of my sci-fi/comedy comic Unit 44 that I successfully funded via Kickstarter in September. Art for book is being completed by Eduardo Jimenez, who has been an absolute joy and pleasure to work with. Because this book doesn’t have a publisher attached, I’m quite excited about the prospect of self-publishing it myself to see what will happen.

The Undoubtables – While my adventure/heist book with Emre Ozdamarlar is still in production, it comes closer to completion with each passing day. This was the first book I ever signed a contract with a publisher for and I’m ecstatic with how this book is shaping up and excited to reveal the publisher who will be bringing it to you. It’s a fun story with some great characters and I anticipate readers being able to pick it up digitally within the first quarter of the year. Colors were handled by Chambers-alum Kefas Armando and it’s a good looking book full of adventurous and explosive fun.

April 2014:

In the Drink – Come April, GrayHaven will drop another short of mine in The Gathering: Survival anthology. This collection will feature a three-page story that I wrote with art by the fun-loving Robyn Seale. I’m really excited about this one because there are no words in the entire story. I didn’t need them because Robyn did an absolutely amazing job at telling the reader everything they needed to know with her art.

TBA 2014:

Innovation – With more than a dozen artists signed on to help keep the sci-fi story going, I expect to be dropping 20 pages worth of story every few months. The second issue should go online in December 2013 or first thing in January, as well as numerous other times throughout the year. Stay tuned as our first arc continues!

The Temporal – This was the first project that brought me together with Kristian Rossi, and hilariously enough, the last of our collaborations to be released. This 32-page one-shot is a story about a young scientist who discovers the secrets of time travel and all of the crazy stuff that happens in such a scenario. This story has been folded into the world of Innovation and will set the stage for some interesting things across both titles. Stay tuned for some fun news on this one!

New Life – We got a great start on this miniseries, managing to complete the first issue in 2013, but since artist Logan Miller and I are both students, time is not always on our side. I’m hoping that we’ll be able to complete the final three issues in the new year and serve them up to you, piping hot at some point. Stay tuned for more news as it develops!

Did you really read this far? Holy crap…I feel like you deserve a prize.

I hope you have a safe and happy holiday and a prosperous 2014!

The Temporal Update #8

Less than a month has passed since colorist Cristian Sabarre was brought on to the creative team for my time travel one-shot comic, THE TEMPORAL, and pages are already starting to make their way in.

For this book, I’ve had more conversations about color than with any past project. Sometimes as readers we don’t consider the tones and palettes that work their way into the books each week, but each decision plays a vital role in conveying specific emotions to the reader. It’s a great learning process and is something I will continue to consider when scripting future stories.

I’m excited about this book since it’s been in the works for quite a long time, but it’s amazing to see progress continue along. I look forward to guiding this tale down the pipe toward completion.

Another exciting this about this book is that it’s a free agent. All of my other projects have been developed with a publisher firmly attached, but this one-shot was created under my own rules, my own timelines, and I don’t have any non-disclosure agreements preventing me from sharing parts of the book. (Wes — are NDAs the reason we haven’t seen any finished art for CHAMBERS or THE UNDOUBTABLES??)

Upon completion of this project I plan to shop it around to some very specific people, but I won’t hesitate to self-publish it should there be no takers. (Why yes, it is, but I understand why they are in place.)

Be prepared to get all kinds of snippets and teasers for this book as it builds toward completion.

In fact, why wait? Here’s a peek at my favorite part of any comic book: PAGE ONE / PANEL 1.

Pencils and inks by the indelible, Kristian Rossi and colors by Cristian Sabarre. Words that you can’t see yet by me.

I never thought that I would write about a hot dog cart in a comic script, and yet…here we are.

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