Tag: comixology

“Art is never finished, only abandoned.”  – Leonardo da Vinci

Today sees the digital release of my sci-fi comic book The Temporal!

While I’ve been selling this 32-page one-shot at conventions for the past few months, I finally decided to toss it up on ComiXology for just $0.99 and make it accessible to the masses.

The Temporal, with art by Kristian Rossi, is the story of a young scientist who is contracted by the U.S. Military to crack the secrets of time travel. But before he hands the project over to the military, he just needs to make one small adjustment to his past. And of course, that’s where things go bonkers.

This comic book has kind of a neat story behind it and I wanted to share it. Besides, this is my websites, so I have carte blanche to do whatever I want.

Want to hear a secret? The Temporal was actually one of my first comics I made.

Pause for dramatic effect. Cut to reaction shot.

Despite the fact that in our present day it is the year 2015 (I’m serious, check a calendar), this comic book has been complete since 2012.

In fact, this is the project that originally brought me together with Argentinian artist Kristian Rossi. I was advertising online for someone to draw my time travel comic and as luck would have it, Kristian was looking to get hired to make a comic book. He was kind enough to read over the script he agreed to come aboard for the one-shot and over the course of several months in 2011 we put the thing together.

Right as we finished The Temporal I got word that my crime-fiction miniseries Chambers had been greenlit for publication by Arcana Studio. In a spin of bad luck, the original artist who had done the pitch pages and was attached to the book dropped out. Don’t you hate it when that happens? It was up to me to find a replacement or put the project on the shelf. Working with Kristian had been such a positive experience–super professional, super nice, super talented–so I pitched him the 4-issue miniseries to see if it would be up his alley.

Kristian already had a great dark, noirish style, which was a perfect match for Chambers and after reading the scripts he did a test page to show the publisher he could handle completing the book from the ground up. Between you, me and the walls, the pages Kristian produced knocked the former artist out of the water. He brought this great cinematic eye to the world and I’m still super proud of the series, which came out in 2013.

As a side note, Kristian also helped me through one of the toughest parts of Chambers… the ending. If you’ve read the comic (and if you haven’t, do us both a solid and check it out) you may be aware that it has a whopper of an ending. It was an ending I worried might not be the right one. When I brought up the idea of changing it, Kristian told me that when he read the original scripts the ending gave him chills. Chills! We kept it. And I’m glad we did.

With time, budgets and energies being put into Chambers over the course of 2012/2013, The Temporal had to take a back seat. Kristian had penciled and inked all 32 pages and I had every intention of getting it colored, but the funds to do so constantly went toward other things. Once Chambers had wrapped I dove into The Undoubtables. Once that wrapped I was knee-deep in Unit 44. It was quickly becoming apparent that, must to my dismay, The Temporal was going to stay on the shelf for some time. Other things were cooking and since the stove was hot I had to keep putting on the Jiffy Pop. That’s a weird analogy, right there.

Then something interesting happened… as reviews started to come in for Chambers, a recurring theme from the reviewers bubbled to the surface… many offered that Kristian’s line work was strong and could likely stand on its own without color. Several reviewers said they would have loved to have read the crime series in black and white.

As I thought back on that a few months ago, it hit me… here I was just sitting on The Temporal… a Kristian Rossi goldmine of black and white comic pages. While the story is from early in my career, rather than hold the book hostage in a closet, I should put it out there to let fans of time travel stories enjoy the narrative and allow them to appreciate Kristian’s art.

While I would have loved to see the book in color, I think the comic is a great representation of two youthful creators who are made something together while having a whole lot of fun. It’s like with rock music… a band has their entire life to write their first album and only two years to write the second. This is why the first album is always favored in the long run: they don’t know the rules. More importantly, they don’t care about the rules.

So it’s done. The Temporal is out today on ComiXology for anyone who would like to give it a read. I owe a lot to the experience of making it.

Look at it this way… without The Temporal there would be no Chambers. Without Chambers, no Undoubtables. No Unit 44. No Hipsters Vs. Rednecks. It’s the butterfly effect in action.

I spent two years working with Kristian and he’s an awesome friend and collaborator. Go enjoy his talents and hard work then give him an e-high five. The dude’s amazing.